The fascination for classical Italian violin making of the 17th and 18th century is the inspiration for my work. At the same time I strive for a form of contemporary violin making, which is characterized by an authentic, individual and personal expression. I create instruments, that serve the demand of the high standard of today’s excellent musicians with a sound that incorporates a strong projection as a framework and that contains in a suitable balance colour, depth, warmth, darkness and brilliance in various hues for the musician to create a sound full of complexity. My system of construction is laid out to result in instruments that are distinguishable, making each instrument unique in its own character in sound and workmanship. They are covered with a historic oil varnish that shows a lively, organic texture with depth, warmth and elegance, that is refining the quality of the wood, enhancing the workmanship and that is ready to take on the imprint of its own history.
Violin making has developed considerably in the recent decades through a more open exchange of knowledge among colleges and through professional research studies. This led to more openness among musicians towards contemporary instruments. It creates a different quality of connection to experience the creation and the development of an instrument. The strength of contemporary violin making lies in the collaboration between musician and luthier. Perfect state, easy playability and ideal sound of his instrument will always be the interest of the maker. The responsibility for my instrument does not end with its sale. Especially in the first few years after the making, an instrument develops considerably through the influence of the player and I encourage my customers to consult me regularly to adapt this process to their needs. In the first five years any service on the instruments acoustical settings will be free of charge.
For my instruments I only use the best materials available. The tone wood is carefully selected and seasoned and of the finest quality, mainly spruce from the Italian alps (Val di fiemme) and Bosnian maple.
